The work of Bristol sound co-founder Geoff Barrow, this sharp-edged if slight first film casts a critical gaze on 90s rave culture. Venal drug user David (the actor) initially steals from an unconscious dealer, then in another flashback tries to burgle his own family home. Before you can say, he's overturned in the remains of his car in a woodland – and subject to the wrathful eye of the Woodsman (vocalist Jason Williamson). Declining to free David, with no time for townies, he is a fractured society embodied: “You’re one of those noisy cunts from up on the heath.”
Unsteady Opening and Grimly Amusing Duel
The film begins uncertainly, spending too long on pedantically chronicling David’s attempt to free himself from his seatbelt, while clumsily segueing into past scenes of his everyday life. The central theme – that the ecstasy generation were primarily out for themselves – is firmly made. But these vignettes are too thin to adequately prepare us for what to expect when the Poacher arrives, fuming after David kills his dog. Nevertheless, a grimly amusing duel unfolds – David desperate to escape; the Woodsman withholding his jerrycan of scrumpy, intent on dousing him instead in embittered discourse. Williamson, exuding heavy threat in the role, is evocative of Michael Smiley.
Visual Flair and Music Video Sensibility
Just a single key story turn, but it leads to a comically executed chaotic run on the woodland paths that veers toward rural terror. Director John Minton at last unleashes with his ostentatious visuals: where he was focused intently doing impressionistic closeups of bugs in headlights in the opening part, he now goes all out with the full lysergic 21-gun salute, soundtracked to a frenzied keyboard rendition of Ravel’s Boléro. The movie resembles an extended promo than a fully fledged drama, but there’s enough strident imagery to suggest that Minton could follow Jonathan Glazer, Garth Jennings et al into making the leap from the Brit music promo scene.
Game releases in UK and Irish theaters from November 17.
